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WARM-UP   28

"Double strokes with hand-to-hand accents ... "

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WARM-UP   29

"A combination of single stroke rolls in '7, '5' and '3' in 4/4. Accenting the first note of each group is optional. On a drum you can play the accent as a rimshot."

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WARM-UP   30

"Marching with the ruffs. Mix this exercise up by switching the leading hand each bar. Take it to the kit and add a bass drum & crash to the 8th/4th notes."

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WARM-UP   31

"Singles work out in 5'S and 3'S over 2 bars. This symmetrical exercise is notated as 32nd notes in 4/4. The first note of each grouping can be accented for more of a challenge."

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WARM-UP   32

"Triple strokes in 12/8 combining with three single strokes at the end to complete the bar. The purpose of this exercise is to get comfortable with the switch from multiple bounce to hand-to-hand sticking. Stop, switch hands."

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WARM-UP   33

"Inverted doubles in 5/8. You don't need to count this warm-up to a metronome at higher tempos, just get the feel of the sticking in your hands, from memory, and let it flole

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WARM-UP   34

"Pull-out accents on the off-beat in 12/8. This is a trickier example as the accents do not land on the down beats of the bar."

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WARM-UP   35

"Last of the snapadiddle inversions. The 'snap' lands on the `a' of each beat. Try not to accent the last beat of each 3-note snap. Switch hands, start again."

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WARM-UP   36

"A nice symmetrical pattern involving 7's and 3's. Keep the four strokes in each leading hand at the same volume."