ELVIN JONES
BIOGRAFIA
Elvin Ray Jones (September 9, 1927 – May 18, 2004) was an American jazz drummer of the post-bop era.[1] He showed an interest in drums at a young age, watching the circus bands march by his family's home in Pontiac, Michigan. He served in the United States Army from 1946 to 1949 and subsequently played in a Detroit house band led by Billy Mitchell. He moved to New York City in 1955 and worked as a sideman for Charles Mingus, Teddy Charles, Bud Powell and Miles Davis.[1]
From 1960 to 1966, he was a member of the John Coltrane quartet (along with Jimmy Garrison on bass and McCoy Tyner on piano), a celebrated recording phase, appearing on such albums as A Love Supreme and Live at Birdland. Following his work with Coltrane, Jones led several small groups, some under the name The Elvin Jones Jazz Machine. His brothers Hank Jones and Thad Jones were also jazz musicians with whom he recorded.[1] He was inducted into the Modern Drummer Hall of Fame in 1995.[2]
EARLY LIFE
Elvin Jones was born in Pontiac, Michigan, United States,[3] to parents Henry and Olivia Jones, who had moved to Michigan from Vicksburg, Mississippi. His two elder brothers, Hank Jones and Thad Jones, both became jazz musicians respectively on piano and trumpet. By age two, he said he knew he held a fascination for drums. He would watch the circus marching band parades go by his home as a boy, particularly fascinated by the drummers.
Following his early passion, Elvin joined his high school's black marching band, where he developed his foundation in rudiments. Jones began service in the United States Armyin 1946. He was discharged in 1949. With his mustering-out pay and an additional $35 (US$376 in 2019 dollars[4]) borrowed from his sister, Jones purchased his first drumset.[5]
DISCOGRAFIA
CARRER
1949-1960
Jones began his professional career in 1949 with a short-lived gig in Detroit's Grand River Street club. Eventually he went on to play with artists including Miles Davis and Wardell Gray. In 1955, after a failed audition for the Benny Goodman band, he found work in New York City, joining Charles Mingus's for the Blue Moods album on Mingus's co-owned Debut label.[citation needed] During the late 1950s, Jones was a member of a Sonny Rollins trio that recorded most of the album A Night at the Village Vanguard, an album cited as a high point for both Rollins and for 1950s jazz in general.[6][7]
1960-1966 ASSOCIATION WITH JOHN COLTRANE
In 1960, he began playing with John Coltrane.[3] By 1962, he had become an integral member of the classic John Coltrane Quartet along with bassist Jimmy Garrison and pianist McCoy Tyner.[3] Jones and Coltrane would often play extended duet passages. This band is widely considered to have redefined "swing" (the rhythmic feel of jazz) in much the same way that Louis Armstrong, Charlie Parker, and others had done during earlier stages of jazz's development. He stayed with Coltrane until 1966. By then, Jones was not entirely comfortable with Coltrane's new direction, especially as his polyrhythmic style clashed with the "multidirectional" approach of the group's second drummer, Rashied Ali.
POST-COLTRANE CAREER
Jones remained active after leaving the Coltrane group, and led several bands in the late 1960s and 1970s that are considered influential groups. Notable among them was a trio formed with saxophonist and multi-instrumentalist Joe Farrell and (ex-Coltrane) bassist Jimmy Garrison, with whom he recorded the Blue Note album Puttin' It Together. Jones recorded extensively for Blue Note under his own name in the late 1960s and early 1970s with groups that featured prominent as well as up and coming musicians. The two-volume Live at the Lighthouse showcases a 21- and 26-year-old Steve Grossman and Dave Liebman, respectively. Jones played on many albums of the modal jazz era, such as The Real McCoy with McCoy Tyner as well as on saxophonist Wayne Shorter's Speak No Evil.
Other musicians who made significant contributions to Jones's music during this period were baritone saxophonist Pepper Adams, tenor saxophonists George Coleman and Frank Foster, trumpeter Lee Morgan, bassist Gene Perla, keyboardist Jan Hammer and jazz–world music group Oregon.
He appeared as the villain Job Cain in the 1971 musical Western film Zachariah,[8] in which he performed a drum solo after winning a saloon gunfight.[8]
Jones performed and recorded with his own group, the Elvin Jones Jazz Machine, whose line up changed through the years. Both Sonny Fortune and Ravi Coltrane, John Coltrane's son, played saxophone with the Jazz Machine in the early 1990s, appearing together with Jones on In Europe on Enja Records in 1991.
Jones, who taught regularly, often took part in clinics, played in schools, and gave free concerts in prisons. His lessons emphasized music history as well as drumming technique. In 2001, Jones was awarded an Honorary Doctorate of Music from Berklee College of Music.[9]
DEATH
Elvin Jones died of heart failure in Englewood, New Jersey on May 18, 2004.[10] He was survived by his first wife Shirley and his common-law second wife Keiko (Elvin married Keiko before divorcing Shirley, meaning that legally he and Keiko were not married), in addition to his son Elvin Nathan Jones of California and daughter Rose-Marie Rosie Jones of Sweden.[citation needed]
On June 25, 2019, The New York Times Magazine listed Elvin Jones among hundreds of artists whose material was reportedly destroyed in the 2008 Universal fire.[11]
INFLUENCE
Jones' sense of timing, polyrhythms, dynamics, timbre, and legato phrasing helped bring the drumset to the foreground. Life Magazine once called Jones "the world's greatest rhythmic drummer", and his free-flowing style was a major influence on many leading drummers, including Christian Vander, Mitch Mitchell (whom Jimi Hendrix called "my Elvin Jones"), Ginger Baker, John Densmore and Janet Weiss.
Recorded | Album | Personnel | Label |
---|---|---|---|
1958 | Keepin' Up with the Joneses | The Jones Brothers: Thad Jones, Hank Jones with Eddie Jones | MetroJazz |
1961 | Together! | Philly Joe Jones, Blue Mitchell, Curtis Fuller, Hank Mobley, Wynton Kelly, Paul Chambers | Atlantic |
1961 | Elvin! | Frank Wess, Frank Foster, Art Davis, Hank Jones, Thad Jones | Riverside |
1963 | Illumination! | Jimmy Garrison, Prince Lasha, Sonny Simmons, Charles Davis, McCoy Tyner | Impulse! |
1965 | Dear John C. | Richard Davis, Hank Jones, Roland Hanna, Charlie Mariano | Impulse! |
1965 | And Then Again | J. J. Johnson, Frank Wess, Charles Davis, Don Friedman, Paul Chambers, Thad Jones, Hank Jones, Art Davis | Atlantic |
1966 | Midnight Walk | Thad Jones, Hank Mobley, Dollar Brand, Steve James, Don Moore | Atlantic |
1967 | Heavy Sounds | Richard Davis, Frank Foster, Billy Greene | Impulse! |
1968 | Live at the Village Vanguard | Wilbur Little, George Coleman, Marvin Peterson | Enja |
1968 | Puttin' It Together | Joe Farrell, Jimmy Garrison | Blue Note |
1968 | The Ultimate | Jimmy Garrison, Joe Farrell | Blue Note |
1969 | Poly-Currents | George Coleman, Joe Farrell, Pepper Adams, Wilbur Little, Candido Camero, Fred Tompkins | Blue Note |
1970 | Coalition | George Coleman, Frank Foster, Wilbur Little, Candido Camero, | Blue Note |
1971 | Genesis | Gene Perla, Frank Foster, Dave Liebman, Joe Farrell | Blue Note |
1971 | Merry-Go-Round | Dave Liebman, Steve Grossman, Joe Farrell, Chick Corea, Jan Hammer, Don Alias, Gene Perla | Blue Note |
1971 | Elvin Jones Live: The Town Hall | Gene Perla, Chick Corea, Joe Farrell, Frank Foster | PM Records |
1972 | Mr. Jones | Joe Farrell, Pepper Adams, Dave Liebman, Jan Hammer, Gene Perla | Blue Note |
1972 | Live at the Lighthouse | Dave Liebman, Steve Grossman, Gene Perla | Blue Note |
1973 | At This Point in Time | Steve Grossman, Pepper Adams, Jan Hammer | Blue Note |
1973 | The Prime Element | George Coleman, Joe Farrell, Lee Morgan, Pepper Adams, Steve Grossman, Frank Foster | Blue Note |
1975 | Mr. Thunder | Steve Grossman, Roland Prince, Milton Suggs, Luis Agudo, Sjunne Ferger | East West |
1975 | Elvin Jones is "On the Mountain" | Jan Hammer, Gene Perla | PM |
1975 | New Agenda | Steve Grossman, Roland Prince, Dave Williams | Vanguard |
1976 | The Main Force | Ryo Kawasaki, Al Dailey, Dave Liebman | Vanguard |
1976 | Summit Meeting | James Moody, Clark Terry, Bunky Green, Roland Prince | Vanguard |
1977 | Time Capsule | Bunky Green, Kenny Barron, Angel Allende, Ryo Kawasaki, Frank Wess, Milt Hinton, Frank Foster, George Coleman, Junie Booth | Vanguard |
1978 | Remembrance | Pat LaBarbera, Michael Stuart, Roland Prince, Andy McCloud III | MPS |
1978 | Elvin Jones Music Machine | Frank Foster, Pat LaBarbera, Roland Prince, Andy McCloud III | Mark Levison (Japan) |
1978 | Live in Japan 1978: Dear John C. | Frank Foster, Pat LaBarbera, Roland Prince, Andy McCloud III | Trio (Japan) |
1978 | Elvin Jones Jazz Machine Live in Japan Vol. 2 | Frank Foster, Pat LaBarbera, Roland Prince, Andy McCloud III | Trio (Japan) |
1979 | Very R.A.R.E. | Art Pepper, Sir Roland Hanna, Richard Davis (bassist) | Trio (Japan) |
1980 | Soul Train | Andrew White, Richard "Ari" Brown, Marvin Horne, Andy McCloud III | Denon |
1980 | Heart to Heart | Tommy Flanagan, Richard Davis | Denon |
1982 | Earth Jones | Kenny Kirkland, Dave Liebman, Terumasa Hino, George Mraz | Palo Alto |
1982 | Love & Peace | McCoy Tyner, Pharoah Sanders, Jean-Paul Bourelly, Richard Davis | Trio (Japan) |
1982 | Brother John | Kenny Kirkland, Reggie Workman, Pat LaBarbera | Palo Alto |
1984 | Live at the Village Vanguard Volume One | Frank Foster, Pat LaBarbera, Fumio Karashima, Chip Jackson | Landmark |
1985 | Elvin Jones Jazz Machine Live at Pit Inn | Sonny Fortune, Pat LaBarbera, Fumio Karashima, Richard Davis | Polydor (Japan) |
1990 | Power Trio | John Hicks, Cecil McBee | Novus |
1990 | When I Was at Aso-Mountain | Sonny Fortune, Takehisa Tanaka, Cecil McBee | Enja |
1991 | In Europe | Sonny Fortune, Ravi Coltrane, Willie Pickens, Chip Jackson | Enja |
1992 | Youngblood | Joshua Redman, Javon Jackson, Nicholas Payton, George Mraz | Enja |
1992 | Going Home | Willie Pickens, Ravi Coltrane, Kent Jordan, Brad Jones, Nicholas Payton | Enja |
1992 | Tribute to John Coltrane "A Love Supreme" | Wynton Marsalis, Marcus Roberts, Reginald Veal | Columbia (Japan) |
1993 | It Don't Mean a Thing | Nicholas Payton, Sonny Fortune, Delfeayo Marsalis, Willie Pickens, Cecil McBee, Kevin Mahogany | Enja |
1998 | Momentum Space | Cecil Taylor, Dewey Redman | Verve |
1999 | The Truth: Heard Live at the Blue Note | Darren Barrett, Robin Eubanks, Carlos McKinney, Michael Brecker | Half Note |
Recorded | Album | Leader | Label |
---|---|---|---|
1948 | Swing...Not Spring! | Billy Mitchell | Savoy Records |
1955 | Blue Moods | Miles Davis | Debut Records |
1956 | Farmer's Market | Art Farmer | New Jazz |
1956 | J Is for Jazz | J. J. Johnson | Columbia Records |
1957 | After the Party's Over | Aaron Bell | RCA Victor |
1957 | Overseas | Tommy Flanagan | Prestige |
1957 | Paul Chambers Quintet | Paul Chambers | Blue Note |
1957 | Dial J. J. 5 | J. J. Johnson | Columbia |
1957 | The Cool Sound of Pepper Adams | Pepper Adams | Regent |
1957 | Kenny Burrell | Kenny Burrell | Prestige |
1957 | Night at the Village Vanguard | Sonny Rollins | Blue Note |
1957 | Mad Thad | Thad Jones | Period |
1957 | Olio | Thad Jones and the Prestige All Stars | Prestige |
1957 | Roots | Idrees Sulieman and the Prestige All Stars | New Jazz |
1958 | Mal/3: Sounds | Mal Waldron | Prestige |
1958 | Reflections | Steve Lacy | New Jazz |
1958 | The Pepper-Knepper Quintet | Pepper Adams and Jimmy Knepper | MetroJazz |
1958 | 10 to 4 at the 5 Spot | Pepper Adams | Riverside |
1958 | Keepin' Up With The Joneses | Thad Jones | Metrojazz |
1958 | Soul Stirrin' | Bennie Green | Blue Note |
1958 | Porgy and Bess | Hank Jones | Capitol |
1959 | All the Gin Is Gone | Jimmy Forrest | Delmark Records |
1959 | Destry Rides Again | Randy Weston | United Artists |
1959 | Sliding Easy | Curtis Fuller | United Artists |
1959 | Brass Shout | Art Farmer | United Artists |
1959 | Black Forrest | Jimmy Forrest | Delmark Records |
1959 | Great Jazz Standards | Gil Evans | World Pacific |
1959 | Sketches of Spain | Miles Davis | Columbia Records |
1959 | Motor City Scene | Thad Jones | United Artists |
1960 | Stringsville | Harry Lookofsky | Collectables |
1960 | Keep Swingin' | Julian Priester | Riverside Records |
1960 | Coltrane Plays the Blues | John Coltrane | Atlantic |
1960 | Coltrane's Sound | John Coltrane | Atlantic |
1960 | My Favorite Things | John Coltrane | Atlantic |
1961 | Out Of The Cool | Gil Evans | Impulse! |
1961 | Preminado | Barry Harris | Riverside Records |
1961 | Coltrane Jazz (only on 1 track) | John Coltrane | Atlantic |
1961 | Africa/Brass | John Coltrane | Impulse! |
1961 | Live! at the Village Vanguard | John Coltrane | Impulse! |
1961 | A Story Tale | Clifford Jordan and Sonny Red | Jazzland |
1961 | Into Something | Yusef Lateef | New Jazz |
1961 | Motion | Lee Konitz | Verve |
1962 | Ready for Freddie | Freddie Hubbard | Blue Note |
1962 | Pony's Express | Pony Poindexter | Epic |
1962 | Duke Ellington & John Coltrane | John Coltrane, Duke Ellington | Impulse! |
1962 | Ballads | John Coltrane | Impulse! |
1962 | Coltrane | John Coltrane | Impulse! |
1962 | Inception | McCoy Tyner | Impulse! |
1963 | Today and Tomorrow | McCoy Tyner | Impulse! |
1963 | Conflict | Jimmy Woods | Contemporary |
1963 | Here's Love | Hank Jones | Argo |
1963 | Impressions | John Coltrane | Impulse! |
1963 | Both Directions at Once: the Lost Album | John Coltrane | Impluse! |
1963 | John Coltrane and Johnny Hartman | John Coltrane | Impulse! |
1963 | Live at Birdland | John Coltrane | Impulse! |
1964 | Crescent | John Coltrane | Impulse! |
1964 | A Love Supreme | John Coltrane | Impulse! |
1964 | Judgment! | Andrew Hill | Blue Note |
1964 | Stan Getz & Bill Evans | Stan Getz, Bill Evans | Verve |
1964 | Bob Brookmeyer and Friends | Bob Brookmeyer | Verve |
1964 | Night Dreamer | Wayne Shorter | Blue Note |
1964 | JuJu | Wayne Shorter | Blue Note |
1964 | Speak No Evil | Wayne Shorter | Blue Note |
1964 | McCoy Tyner Plays Ellington | McCoy Tyner | Impulse! |
1964 | Matador | Grant Green | Blue Note |
1964 | Street of Dreams | Grant Green | Blue Note |
1964 | Solid | Grant Green | Blue Note |
1964 | Talkin' About! | Grant Green | Blue Note |
1964 | In 'N Out | Joe Henderson | Blue Note |
1964 | Inner Urge | Joe Henderson | Blue Note |
1964 | Into Somethin' | Larry Young | Blue Note |
1964 | The Individualism of Gil Evans | Gil Evans | Verve |
1965 | Unity | Larry Young | Blue Note |
1965 | Rip, Rig and Panic | Roland Kirk | Limelight |
1965 | I Want to Hold Your Hand | Grant Green | Blue Note |
1965 | The John Coltrane Quartet Plays | John Coltrane | Impulse! |
1965 | Om | John Coltrane | Impulse! |
1965 | New Thing at Newport | John Coltrane | Impulse! |
1965 | Transition | John Coltrane | Impulse! |
1965 | First Meditations | John Coltrane | Impulse! |
1965 | Living Space | John Coltrane | Impulse! |
1965 | Sun Ship | John Coltrane | Impulse! |
1965 | Meditations | John Coltrane | Impulse! |
1965 | Kulu Sé Mama | John Coltrane | Impulse! |
1965 | Live at the Half Note: One Down, One Up | John Coltrane | Impulse! |
1966 | Live In Seattle | John Coltrane | Impulse! |
1966 | East Broadway Run Down | Sonny Rollins | Impulse! |
1966 | Blue Spirits | Freddie Hubbard | Blue Note |
1967 | The Lee Konitz Duets | Lee Konitz | Milestone |
1967 | The Real McCoy | McCoy Tyner | Blue Note |
1967 | Sunshine of My Soul | Jaki Byard | Prestige |
1968 | Lady Coryell | Larry Coryell | Vanguard Records |
1968 | New York Is Now! | Ornette Coleman | Blue Note |
1968 | Love Call | Ornette Coleman | Blue Note |
1968 | Encounter! | Pepper Adams | Prestige |
1969 | Feeling Free | Barney Kessel | Contemporary |
1969 | Please Send Me Someone to Love | Phineas Newborn, Jr. | Contemporary |
1969 | Harlem Blues | Phineas Newborn, Jr. | Contemporary |
1969 | Blues in Orbit | Gil Evans | Enja |
1970 | Extensions | McCoy Tyner | Blue Note |
1971 | Outback | Joe Farrell | CTI |
1972 | The Loud Minority | Frank Foster | Mainstream |
1973 | Capra Black | Billy Harper | Strata-East |
1974 | I Love You | Elek Bacsik | Bob Thiele Music |
1975 | Trident | McCoy Tyner | Milestone |
1975 | The Peacocks | Stan Getz and Jimmie Rowles | Columbia |
1976 | Together | Oregon | Vanguard Records |
1976 | The Trip | Art Pepper | Contemporary |
1976 | Back Home | Phineas Newborn, Jr. | Contemporary |
1977 | Eclypso / Confirmation | Tommy Flanagan | Enja |
1977 | Well Water | Frank Foster | Piadrum (released 2007) |
1977 | Beyond the Rain | Chico Freeman | Contemporary |
1977 | Something for Lester | Ray Brown | Contemporary |
1977 | Thursday Night at the Village Vanguard | Art Pepper | Contemporary |
1977 | Friday Night at the Village Vanguard | Art Pepper | Contemporary |
1977 | Saturday Night at the Village Vanguard | Art Pepper | Contemporary |
1977 | More for Les at the Village Vanguard | Art Pepper | Contemporary |
1980 | Super-Session | Tommy Flanagan | Enja |
1981 | Rejoice | Pharoah Sanders | Theresa |
1982 | Big Jim's Tango | Bennie Wallace | Enja |
1987 | But Beautiful | Lew Soloff | King Records |
1987 | Magical Trio 2 | James Williams | Emarcy |
1989 | The Truth is Spoken Here | Marcus Roberts | BMG Music |
1990 | Special Quartet | David Murray | DIW/Columbia |
1991 | African Exchange Student | Kenny Garrett | Atlantic |
1991 | Ask the Ages | Sonny Sharrock | Axiom |
1991 | Me And Mr. Jones | Javon Jackson | Criss Cross |
1993 | Upon Reflection - The Music Of Thad Jones | Hank Jones | Verve |
1993 | One For Namesake | Robert Hurst | DIW |
1995 | Into The Frying Pan | Greg Packham | Packed Records |
1995 | After the Rain | John McLaughlin | Verve |
1995 | The Main Ingredient | Shirley Horn | Verve |
1997 | Awesome! | James Williams | DIW |
1998 | Trio Fascination: Edition One | Joe Lovano | Blue Note |
1999 | Jones for Elvin - Volumes 1 and 2 | Steve Griggs | Hip City Music |
1999 | Time Is of the Essence | Michael Brecker | Verve |
2000 | Stefano di Battista | Stefano di Battista | Blue Note |
2001 | With Dave Holland and Elvin Jones | Bill Frisell | Nonesuch Records |
2002 | Autumn Leaves | The Great Jazz Trio | Eighty-Eight's |
2002 | Someday My Prince Will Come | The Great Jazz Trio | Eighty-Eight's |
2002 | Collaboration | The Great Jazz Trio | Eighty-Eight's |
LINK SITO
https://www.elvinjones.com
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