John Henry Bonham was born on 31st May 1948 in Redditch, Worcestershire, in the Midlands of England:
His birth was an eventful occasion with labour lasting 26
hours, after which, his heart stopped beating. The doctor had left the ward, so the nurse on duty called for another doctor who managed to revive him. The nurse later said it was “a miracle” that the baby had survived.
John was the eldest
of three children by his parents Joan Isobel Sargent and John Henry Bonham. John's younger brother was called Michael and his younger sister was named Debbie Bonham. (Debbie went on to become a successful singer whose album 'For You and the Moon' reached the
top 5 in the UK NME chart.)
The Bonham family lived in a small house on the outskirts of Redditch in Hunt End. John, his father, and grandfather all shared the name John Henry Bonham, but Bonzo's father was known as Jack. Jack was a carpenter who helped
run the family business established by his father: JH Bonham & Son, a building company. John’s mother Joan, ran a local newsagents shop. These two sources of income enabled John and his younger brother Michael to be sent to the Wilton House private
school. At the age of 11, John attended the Lodge Farm County Secondary School from 1960-1964. It was at this school that John received a school report from his headteacher stating: "He will either end up a dustman or a millionaire." John left school aged
sixteen and began working for his father as a builder whilst also playing the drums for local bands.
According to John's parents, his enthusiasm for drumming was evident when he was still a small child of five. He would transform handy household objects
laying around into percussion instruments for him to bang on. These included bath salt containers, pots and pans from the kitchen and a circular coffee tin which he would beat with knives and forks as a substitute for drumsticks, resulting in a snare drum
At the age of ten, Joan bought him his first piece of true drumming equipment: a snare drum. Although buying a drum kit for a teenager can be an alarming decision for any parent to make, John's parents knew that their young son had a true
passion to learn the instrument. John received his first full drum kit from them aged 15. John later recalled: "It was almost prehistoric... Most of it was rust."
Early Drumming Influences
John Bonham struck up a friendship with a fellow drummer
who lived nearby called Garry Allcock, who may have had some influence on John's drumming. Garry was a few years older than John and had already played with orchestras and was into big-bands and jazz. John made his first acquaintance with Garry by turning
up outside his house one day and introducing himself: "My name's John Bonham, I'm a drummer and I'm potty about cars."
Allcock recalls: “I never gave him lessons as such – I didn’t teach him at all – but we’d sit in the front
room with sticks and a practice pad and I’d show him a few things. It was just a case of: do you know this one? I remember him playing on one of my snare drums and me saying, 'For Christ-sakes, John, take it steady!' I thought he was going to knock it
through the floorboards. He certainly hit hard.”
According to John's brother Michael, John was heavily inspired when he watched the 1956 biopic film 'The Benny Goodman Story' which starred Gene Krupa, the swing-era master, playing the drums. Michael recalled that "John went to see the film with his dad" in the cinema and that for John “Gene Krupa was god." A notable scene from the
film is when he plays his theme tune 'Sing Sing Sing' brilliantly on the Tom Tom drums. John also liked the scene in the film 'Beat The Band' (1946), another film in which Gene Krupa features
in, where he plays with the sticks on boiler-room steam pipes.
John was an ardent listener of music on the radio and records. Amongst John's favourite British groups were: Johnny Kidd & The Pirates, The Hollies and The Graham Bond Organisation with
one of his drum idols Ginger Baker on drums. He was also a keen listener of American Jazz with drummers such as Buddy Rich, Art Blakey, Max Roach and Louis Bellson.
Bonhams's pre Led Zeppelin Days
See list of pre
Led Zeppelin Bands.
John Bonham was the drummer for The Blue Star Trio when he was 15 years old. In this period he also sat in for and jammed with many other local bands around at the time.
His friend Bill Harvey recalled that he "went
out with him a couple of nights to see a band and the first thing he'd say to me was, 'that drummer is crap.' When they came off for a break, he'd go straight up to the bandleader and say, 'Your drummer's not much good, is he? Let me have a go and I'll show
you.' He'd get on the drums and everyone would be amazed. So the poor chap would get the sack and John would take his job. He was pushy and he got in wherever he wanted - but he had a heart of gold."
When he was 16 he joined his first semi-pro band:
Terry Webb & The Spiders. The band wore distinct purple jackets with velvet lapels in the style of teddy boys. Around this time, John made his first recording in a studio with a pop song 'She's A Mod' by The Senators, the track was released on a rare 1964
compilation album: Brum beat.
After playing with Terry Webb for a year, Bonham joined A Way Of Life in 1965, the same year he married Pat Phillips who he'd met at a gig he played in Kidderminster when he was 16.
When the band were recording a demo
at Zella Studios, run by Johnny Haynes, Haynes stated that John's drumming was "unrecordable" as his kit was too loud for the equipment. Once Led Zeppelin had taken off, John sent his critic a gold Led Zeppelin album from Atlanta records inscribed to 'John
Henry Bonham' along with a note reading "Thanks for the advice".
John and Pat decided to marry when she became pregnant with their son Jason Bonham. “He met Pat when he was 16 and his love for her didn’t diminish at all, through all their
years together. Pat went with him everywhere." - Michael Bonham. After the couple were married, John got a day job to bring in a much needed source of income to support Pat and his future family, working for a high-class tailors clothing company in Redditch
called Osborne's. During this period, he and Joan lived in his father's caravan, later moving to a high rise flat in Eve Hill, Dudley, where they were still residing when Led Zeppelin's first album was released in 1969.
By early 1968, John Bonham had
built up a strong reputation amongst musicians and bands in the Redditch area for being one of the best drummers around. He had the combination of power, stamina, technique and stage presence that made him stand out. However, he also had an instinct to play
thunderously loud and hard, breaking lots of drum heads along the way. In many venues, they would have in place a volume limit which would cut the power off once the sound went above its set threshold. Bonham often exceeded these volume limits, cutting off
the power which led to him being banned from playing again in many venues. Dave Pegg, a friend of Bonham's said that John would recall and laugh about how "I got blacklisted in Birmingham. They used to say, 'Your're too loud! There's no future in it.' Nowadays
you can't play loud enough!."
Bonham would often join and leave bands in quick succession. His brother Michael writes: "John was known for going from band to band. As soon as he got a better offer, he was gone. You could turn up expecting to see
him at a gig and he wouldn't be there. He'd be off playing somewhere else with another band."
The Formation of Led Zeppelin
John met Robert Plant in late 1965 when he joined The Crawling King Snakes (Robert sang lead vocals) in between his
two spells of playing with A Way Of Life. Plant was born just a few months after John (August 20th 1948) and grew up in Kidderminster, Worcester. He was young and full of determination to 'make it' in a successful band.
Meanwhile, Jimmy Page was playing
lead guitar with the successful group The Yardbirds which he joined in 1966. The Yardbirds had been busy touring America and were managed by Peter Grant. After The Yardbirds had broken up, Jimmy decided to build up a new band with the expertise of Peter Grant,
with the aim of signing with a major record label. The talented bassist John Paul Jones heard about Jimmy's new group and asked if he could join. Jimmy agreed as he already knew what John Paul Jones was capable of as a musician when he'd been recruited as
a session bassist for The Yardbirds recording of their album 'Little Games' released
in 1967. Robert Plant was recommended to Jimmy as a potential singer for his new musical project. Jimmy Page followed up on this recommendation, finding Robert Plant to be the right person for the group on both an artistic and personal level. It was Robert
Plant who suggested including his previous bands drummer John Bonham.
By this time John had been touring around the UK with American folk singer Tim Rose, and was earning a substantial living, with much interest showed in his abilities. Jimmy Page and
manager Peter Grant went to check out John's drumming first hand at a Tim Rose concert which took place at a club in Hampstead, North London, July 1968. Jimmy was impressed and invited John to join the band. However, around this same time John had also been
recieving other tempting offers from esteemed artists such as Joe Cocker and Chris Farlowe who were in positions to offer John more financially lucrative prospects. Plant and Grant bombarded Bonham with telegrams of persuasion (eight from Plant and fourty
from Grant) sent to John at his favourite local pub: 'Three Men in a Boat' in Walsall. Bonham finally decided to accept Grant's offer, joining the band in early September 1968. Bonham said: "I decided I liked their music better than Cocker's or Farlowe's."
Led Zeppelin Years
The newly formed band temporarily used the name: The New Yardbirds to completed previously arranged commitments made by The Yardbirds which included a tour of Scandinavia. These duties were completed by the 17th September 1968.
A month later the group, now called Led Zeppelin, were already in the studio recording their eponymous debut album. Manager, Peter Grant, secured one of the few decent record deal in the history of rock and roll. He negotiated with Atlanta records an unprecedented
advance of $200,000 with high fees to be paid to the band for concert appearances whilst also ensuring the band retained creative and financial freedom.
John Paul Jones: "We recorded in October 1968 with Glyn Johns at Olympic Studios in Barnes. It was
old style recording. We just sat there with a few screens to cover the ampsup and it was a big ‘live’ room, so everything leaked into everything else, which was part of the sound. We did it in about 15 hours with another 15 for mixing, so it was
30 hours in all to make Led Zeppelin."
Led Zeppelin went on to record seven more studio albums, (see Led Zeppelin Discography page) most of which were recorded in
various studios in Britain, Europe and the USA. By 1970, the band largely recorded using mobile recording facilities at the Hampshire mansion in Headly Grange. Jimmy described some of the advantages of Led Zeppelin using Headly Grange to record: "The reason
we went there in the first place was to have a live-in situation where you're writing and really living the music. We'd never really had that experience before as a group, apart from when Robert [Plant] and I had gone to Bron-Yr-Aur. But that was just me and
Robert going down there and hanging out in the bosom of Wales and enjoying it. This was different. It was all of us really concentrating in a concentrated environment and the essence of what happened there manifested itself across three albums (IV, Houses
of the Holy, Physical Graffiti)."
One of the most recognisable characteristics of Led Zeppelin's music was their large, bottom heavy sound led by the powerful and tight rhythm section of Bonham and Jones. Page's production and recording techniques played
an important part in capturing John's sound. For example the echoey drum sound achieved in the song 'When the Levee Breaks', off 'Led Zeppelin IV', stemed from a recording idea of Jimmy's. He recorded John playing his drums at the bottom of a staircase in
Headly Grange using two Beyerdynamic M160 microphones placed at the top of the stairs which created the distinctly large sound.
Two months after recording 'Led Zeppelin', the band set off for their first tour of America in December 1968. Bonham
befriended Carmine Appice, the drummer of Vanilla Fudge (who Led Zeppelin were supporting). Carmine introduced him to Ludwig drums which he was using himself. John immediately liked the 'big' rich sound created by the drums and would play exclusively on Ludwig
drums for the rest of his career.
Led Zeppelin toured extensively, selling out hundreds of shows all around the world from December 1968 - July 1980, including eleven tours of the USA, four of Europe, two of Japan and one of Australasia.
are many rumours surrounding the bands behaviour on these tours, which include: drug abuse, fighting, sexual experimentation and hotel room destruction, each of which Bonham has been atributed to.
Bonham was fined and recieved a suspeded sentence
in February 1978, for his part in a violent incident taking place on 23rd of July 1977 at a concert in Oakland, California, which involved members of the Led Zeppelin crew.
John returned to England to be present for the birth of his second child with
Pat, forgoing the tax exile of the other band members due to the disruption affecting Led Zeppelin's commitments. Zoë Bonham was born in 1975.
During Led Zeppelin concerts, Bonham's infamous drum solo 'Moby
Dick' would last upto thirty minutes, showcasing his vast creativity and incredible physical endurance. The solo was structured to include free improvisation, set patterns and a finale. John Bonham commented on the solo: “Not everybody likes or understands
a drum solo. So I like to bring in effects and sounds to keep their interest – like ‘phasing’ on the pedal timpani. I try to play something different every night, but the basic plan is the same – from sticks to hands, and then the tymps
and the final build-up. I usually play for 20 minutes, and the longest I’ve ever done was just under 30. It’s a long time, but when I’m playing it seems to fly by.”
The title 'Moby Dick' was a homage to the great white whale
in Herman Melville's novel of the same name. The drum solo was first refered to by this title when it appeared as the penultimate track on the 'Led Zeppelin II' album, released in October 1969. Before this album, it was previously known as 'Pat's Delight'.
The version of 'Moby Dick' that appears on the album was actually an amalgamation of different drum clips Jimmy Page had recorded of John in the studio These clips were collected and edited into a continuous drum 'Solo' later by Page. Bonham said “I
didn’t actually sit there and play a drum solo especially for the record. They just pieced it together.“
Bonham's instrumentation for live shows was unique and innovative. From 1969 onwards, he expanded the number of peripheral percussion
instruments played on stage to include: congas, orchestral timpani, and finally a symphonic gong that he would set on fire near the end of concerts (see image). The 'Dallas Times
Herald' credited Bonham as being the first to use electronic drum synthesisers during a concert, in a performance of 'Kashmir' which took place in Dallas, Texas 1977.
John and his family lived in their country estate called Old Hyde Farm, Worcestershire.
Bonham's financial success, allowed him to pursue and endulge in his lifelong passion for vintage motorcars and motorcycles. By the end of 1970, he had collected 21 vintage cars which he stored at Old Hyde Farm. Some of these cars apear in John Bonham's dream
sequences in the Led Zeppelin film 'The Song Remains The Same' released in 1976. He was also the owner of 'The Plough' pub in nearby villiage Shenstone which he planned on converting so as to be able to drive his cars and bikes right behind the bar.
Visit the Death section of the site.
In September 1980 all four members of Led Zeppelin had begun rehearsing in preparation for their first tour of North America since 1977,
which was planned to kick off on October 17th in Montreal, Canada. The rehearsals took place near Jimmy Page’s Windsor home where the band was staying. It was here where John Paul Jones and Benje LeFevre (Led Zeppelin’s road manager) discovered
Bonham’s body, in the morning of September 25th. Bonham had died tragically from inhalation of vomit in bed during his sleep, aged just 32.
In the day leading up to his premature death, Bonham had been on a 12-hour binge drinking session,
which began at noon and lasted until midnight, when he fell unconscious. He had consumed an alarming 40 units of vodka. The UK’s recommended maximum intake of alcoholic beverages per day for men is 3-4 units. After falling unconscious on a sofa, he was
put to bed by an assistant where he could sleep off his drunkenness. The assistant laid him on his side with pillows for support.
John Paul Jones: “Benje and I found him. It was like, “Let’s go up and look at Bonzo, see how he is.”
We tried to wake him up… It was terrible. Then I had to tell the other two… I had to break the news to Jimmy and Robert. It made me feel very angry – at the waste of him… I can’t say he was in good shape, because he wasn’t.
There were some good moments during the last rehearsals … but then he started on the vodka.” “I think he had been drinking because there were some problems in his personal life. But he died because of an accident. He was lying down the wrong
way, which could have happened to anybody who drank a lot.”
An ambulance was called in the morning immediately after Bonham was discovered, but it was too late for them to do anything. The police also arrived at Jimmy’s house, but no suspicious
circumstances were identified.
An inquest into John Bonham’s death was held at East Berkshire coroner’s court on October 18th where it was determined that Bonham had died from inhalation of his own vomit during sleep which led to pulmonary
edema. (Pulmonary edema describes fluid accumulation in the lungs, which can cause respiratory failure.) The cause of death was put down as “consumption of alcohol”. A verdict of accidental death was arrived at and recorded.
describes John’s frame of mind as they drove to their last rehearsal together: “On the very last day of his life, as we drove to the rehearsal, he was not quite as happy as he could be. He said, “I’ve had it with playing drums. Everybody
plays better than me.” We were driving in the car and he pulled off the sun visor and threw it out the window as he was talking. He said, “I’ll tell you what, when we get to the rehearsal, you play the drums and I’ll sing.” And
that was our last rehearsal.”
John Bonham’s family funeral service took place on October 10th 1980 at Rushock Parish Church in Worcestershire. Around 250 mourners attended, made up of family, friends, band mates and other musicians including:
Roy Wood, Denny Laine, Bev Bevan and Jeff Lynne. Paul McCartney left a wreath and tributes flooded in from fellow drummers including Carmine Appice, Phil Collins, Cozy Powell and Carl Palmer. After the family service, the funeral procession made its way to
Worcester Crematorium where the final service was held.
Swan Song Records (Led Zeppelins record label started by their manager Peter Grant) issued a statement on December 4th 1980, which addressed the many rumors regarding the bands uncertain
future following the death of Led Zeppelin’s drummer John Bonham:
“We wish it to be known that the loss of our dear friend and the deep sense of undivided harmony felt by ourselves and our manager, have led us to
decide that we could not continue as we were.”
Wealth at death (Net Worth): £856,498: administration, 18 May 1981, CGPLA Eng. & Wales